"Form is never more than the extension of content," declares the maxim put forth by Charles Olson - drawn from a letter by Creeley - in his celebrated essay "Projective Verse." And Pieces perhaps, stands as the work that most effectively embodies the notion of the poem as a center of energy, where writing is conceived as a process and a compositional field—a writing of the continuum, a sensitive membrane. Estranged from the limitations and prestige of outdated formalisms, the poem, Creeley's book, becomes simultaneity and amalgamation (fragments, seams, patches), an ellipsis of a flowing current and a locus of experience.

Bilingual edition. Translation and interview by Marcos Canteli.